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This book, which addresses the issue of weaving and its own universe, seeks to broaden the common and restricted space of the practice of weaving and its manifestations. We begin by studying the traditional weaving technique, its structure, and its composition. Tunisian Berber carpets are for any researcher instruments of deciphering plastic spaces carrying so many meanings. They are an element of cultural memory, explicitly conveying the meaning and signs of patterns and colors. Similarly, for clothing, their fabrics are a means of identification and a medium of communication. The garment also becomes a "language" akin to calligraphy. The point, the line, and the surface express themselves by intertwining in a different way. These elements are structured and composed through "other warps" and "other wefts" in order to present us with another facet of "fabric." This fabric becomes digital at times and metaphorical at others.
The book seeks to expand the common and restricted space of the practice of weaving and its manifestations. We start by exploring the traditional weaving technique, its structure, and composition. Tunisian Berber carpets are instruments that allow researchers to decipher the plastic spaces rich in meaning. They are an element of cultural memory, explicitly conveying the significance and symbols of patterns and colors. Similarly, in the case of clothing, the fabrics serve as a means of identification and a medium of communication. The garment also functions as a "language" akin to calligraphy. The point, line, and surface express themselves by intertwining in a different manner. These elements are structured and composed through "other warps" and "other wefts" to present us with another aspect of "fabric," which can be digital or metaphorical.
The book aims to broaden the common and restricted realm of the practice of weaving and its manifestations. We initially examine the traditional weaving technique, its structure, and composition. Tunisian Berber carpets are instruments that allow researchers to decipher the plastic spaces rich in meaning. They are an element of cultural memory, explicitly conveying the significance and symbols of patterns and colors. Similarly, in the case of clothing, the fabrics serve as a means of identification and a medium of communication. The garment also functions as a "language" akin to calligraphy. The point, line, and surface express themselves by intertwining in a different manner. These elements are structured and composed through "other warps" and "other wefts" to present us with another aspect of "fabric," which can be digital or metaphorical.
product information:
Attribute | Value |
---|---|
publisher | Éditions universitaires européennes (February 25, 2016) |
language | French |
paperback | 428 pages |
isbn_10 | 9783841777393 |
isbn_13 | 978-3841777393 |
item_weight | 1.38 pounds |
dimensions | 5.91 x 0.97 x 8.66 inches |
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